Skip to main content

Showcasing Mem Nahadr:


After years of badgering Mem Nahadr, our artistic director Cassandra Cato-Louis succeeded in securing dates to bring Mem to Boston.  On Friday, October 2nd and Saturday, October 3rd, 2015, Mem unloaded at UForge Gallery in Jamaica Plain, MA--showcasing her latest "opera with a beat," FEMME FRACTALE: An Opera of Reflection.

While recent reviews in AfroPunk, Exclaim.ca, and JazzWeekly tell a big part of the story, we're soliciting comments here; especially from those who saw Ms. Nahadr's performance in Boston this October.

The Other ART's LiveARTs series is looking to bring her to a larger venue next spring.  Let us know what you think by either commenting here or via email: move4art@gmail.com.  And BIG THX for the support.

Comments

Popular posts from this blog

Despite All, Opportunity Abounds

     Two years ago the Mattapan Arts Council articulated a scathing critique of the Boston Public Health Commission 's current "Our Mattapan" campaign .  Ironically, its Violence Intervention & Prevention   (branded for 'cool points' as "VIP")  initiative developed a "public awareness campaign" about Mattapan that only reifies the view of Mattapan as a violent, dangerous place to be.      It's a campaign message that contra/dicts the day-to-day experience of those who live, work, or play in Mattapan.   It also caused Mattapan-based artists  to think more broadly about how our Mattapan is often (mis)represented, despite even the best intentions. Now comes a new RFP that  just might be our best chance to do something about it.        So the Mattapan Arts Council  is more than happy to share information about the VIP's new search for artists to work with its youth design team to develop its next...

Recreate the Machine?

Boston  politics has always been ‘machine politics’–where power is centralized, consolidated, and tightly controlled in the hands of a few, ostensibly for the benefit of ‘the many.’  Unfortunately,  whoever happens to be wielding power understands ‘the many’ as mostly class- and color-coded. Every four years, however, the concept of ‘the many’ is really encouraged to breathe–to find its broadest possible expanse; to stretch to embrace and accommodate, in fact, enough of the voting public.  This is when those who wield power loosen the reigns long enough so some of the rainwater trickles down to the grassroots.  And like art, water is life. And so it is that today  Martin J. Walsh ‘s campaign signs have papered over Mattapan Square with ‘walking around money.’  Curiously though, the racially-displaced (’cause they ain’t from ’round here), candy-sucking panhandlers were no where to be found  today .  And in case you missed it, Ma...

"He Said, He Said:" De/Cyphering Campaign Talk about "the Ahts"

First, we must give a double shout-out to MassCreative :  for mobilizing artists and arts organizations around a powerful idea, i.e., to " Create The Vote 2013" (implications for future campaigns?  We hope so.); and for facilitating arts-focused candidate forums.  Kudos are also due to WBUR 's TheARTery for " Arts and the Next Mayor: What Boston Wants and What it May Get "--digitally capturing (and archiving) an arts-focused approach to a campaign now winnowed to  Connolly On The Arts  and Walsh On The Arts .   'Cause here and now, TheARTery 's a time-saver as we try to figure out which of these two guys to vote for on Tuesday, 6 November 2013.   Problem is, plans for the arts being forwarded by the candidates are clearly cut from the same cloth--one woven by what TheARTery describes as "Boston's cultural community."   As a result  both candidates kinda sound alike when talking about how their administrations would ...